I think I remember some old Paramount Pictures promotional photograph showing a bunch of studio execs turning around, cigars in mouth, in their special screening room – so I recreated it today. That’s our art director Rick Gradone, post-production supervisor Kim Ludlow, effervescent Tessa, editor Jessie Weiner, soundtrack contributor Jamie Block, and yours fucking truly.
We had an “industry screening” of The Pink House today, which basically means we cleaned up a really good edit of the film, found a kick-ass screening room with surround sound, and played it for some influential folks in the business who could really help us. How did it go? Well, I began thinking this movie was funny about 6-7 weeks ago, and the new edit is even better, so actually, I like sitting through it. Tessa has to get up and wander off or else she turns into a fidgety, hyper-worried monster. Much laughter was had by all, and I can truly say we put our best foot forward. As for the opinions of important people, we’ll know more in the days ahead.
But for the first time, I have seen this movie as being “worth it” no matter what happens. We created this complicated beast, full of plot, animation, laugh lines, melancholy, surreality, 1930s garb and pink flour – and now it is on the screen, makes sense, and it’s, you know, humorous! It evokes humor! When you watch it, you are overcome with distinct feelings of mirth. Them’s the truth. I feel, along with Tessa and the other brilliant minds in the above picture, that nothing could happen with this child we created and we would still feel a tremendous sense of accomplishment.
A $3 million distribution deal would be cool too.
I just thought I’d throw that in there.